Between electronica and restrained indie/folktronica, Wooden Peak’s new album “Yellow Walls” should equally apply to fans of Lali Puna, Hood and Nicolas Jaar.
Germany
Mysterious, dark, and atmospheric, P. A. Hülsenbeck has created a perfect soundtrack for the upcoming winter season.
Mysterious, dark, and atmospheric, P. A. Hülsenbeck has created a perfect soundtrack for the upcoming winter season.
#monsteramonday! The most hipster plant of the recent years, Monstera deliciosa, is illustrated on the cover of Kyson’s new EP, “Every High”.
Minimal music. Ambient. Techno. Electronica. Modern Classical. This and much more comes on Daniel Brandt’s second solo album “Channels”.
Minimal music. Ambient. Techno. Electronica. Modern Classical. This and much more comes on Daniel Brandt’s second solo album “Channels”.
If you like Charli XCX or MØ, check out Bülow’s modern, relentless pop.
If beehype was a folk band from Europe, we might sound just like the border-blind collective Sleepwalker’s Station.
If beehype was a folk band from Europe, we might sound just like the border-blind collective Sleepwalker’s Station.
One of the most moving videos of this year yet comes from the German “cinematic pop” singer and songwriter Felix Räuber, inspired by his visits in the Middle East.
One of the most moving videos of this year yet comes from the German “cinematic pop” singer and songwriter Felix Räuber, inspired by his visits in the Middle East.
Dominique Dillon de Byington is back! Despite its title, her third album is anything but “Kind”.
ÄTNA are playing Sophocles. Inéz Schaefer delivers the dramatic soliloquies while Demian Kappenstein gives them musical context.
Woman’s debut album is full of longing. From the plea for “something greater” on opener “Dust” to the soaring synths and exploding drums of “The End”, the Cologne three-piece translate into sound the dream of a better world. What’s surprising is the way they manage to blend slick, sexy funk, arena-sized electro pop and just the right amount of pathos into a coherent whole.
Woman’s debut album is full of longing. From the plea for “something greater” on opener “Dust” to the soaring synths and exploding drums of “The End”, the Cologne three-piece translate into sound the dream of a better world. What’s surprising is the way they manage to blend slick, sexy funk, arena-sized electro pop and just the right amount of pathos into a coherent whole.